When training teen singers, I don’t encourage a specialization in repertoire. If they are going to audition for music degrees, they often have to prepare repertoire from classical, musical theatre,…
Tag: crossover
Brad Jenks, a Chicago area voice teacher, recently made me aware of his excellent blog post. He questions the walls that exist between “classical” and “____” voice instruction. I agree…
Let’s say that you are a young singer in a good band. You start working, playing nightclubs, BBQ joints, any place that will pay you. You cover lots of songs…
The human voice was designed to make a huge gamut of sounds: soft and loud, high and low pitches, many tonal qualities, many stop and start patterns, sustained tones or…
The Bel Canto repertoire required singers to be able to sing high and low, loud and soft, slow and fast, including the ability to trill. The music of that genre…
Lately we have access to everything. We can hear singers from the past and present in almost any genre whenever we want. This affects our taste and our aspirations as…
I did karaoke in public for the first time in August. I’ve gone back every 2 to 3 weeks since then. Although I have been primarily a musical theatre and…
This Friday I will be going to Winchester, VA to participate in Level 1, 2, and 3 training with Jeannette Lovetri’s program. (http://www.thevoiceworkshop.com/shen.html) It is an intensive 9 days of…
This is inspired by Craig’s comment on my previous entry. As I have dusted off my flute and played it again after very little activity in the last 7 years,…
These are styles, not physiological phenomena. There may be common tendencies in the technical approaches to some songs in some styles, but there are not hard and fast rules. An…
