Stretching

This Friday I will be going to Winchester, VA to participate in Level 1, 2, and 3 training with Jeannette Lovetri’s program. (http://www.thevoiceworkshop.com/shen.html) It is an intensive 9 days of the study of vocal pedagogy for “contemporary commercial music”. That term makes me wince a little, but it is probably better than “nonclassical”. Why? There […]

Read More

Singing and Fluting

This is inspired by Craig’s comment on my previous entry. As I have dusted off my flute and played it again after very little activity in the last 7 years, I am finding it refreshingly different than previous times that I came back from breaks. I have been fearful of playing flute again largely because […]

Read More

Legit and non-legit

These are styles, not physiological phenomena. There may be common tendencies in the technical approaches to some songs in some styles, but there are not hard and fast rules. An attempt to try to describe belt as “constricted” reflects a misunderstanding of what an ideal performance of a belt song would sound like. Judy Garland […]

Read More